When the baseball duration in Boston's Fenway Park starts, Mark, the tour guide, begins to have a "rough time" - he leads a Japanese team to stand under the "eco-friendly monster wall surface", and following he finishes speaking in English, "This wall surface was integrated in 1934 and has blocked numerous home runs", a traveler elevates a cam and asks, "What does 'home run' suggest in Japanese? Why is this wall surface eco-friendly?"; When transitioning to the pitcher's pile, the kids in the Latino household team got his sleeve and asked in Spanish, "Will the Red Sox pitcher practice here?" Mark could only slowly convert using a smart phone translation app, which caused a hold-up of half an hour. On the day of the video game, it was also worse. The joys from the viewers muffled every little thing. He held up a loudspeaker and yelled, "The initial video game of the 1912 opening period, the Red Sox won 5-3." The viewers in the back row didn't also capture "5-3," and lastly, they could only take a picture around the century-old scoreboard and muttered, "It's still worth visiting Fenway Park."
As one of the earliest stadiums in Major League Baseball, Fenway Park obtains over 3 million site visitors each year, with nearly 40% being international site visitors. For the overviews below, the troubles of their job are never just remembering "1912 opening" or "17 home run record" - it's about exactly how to genuinely "comprehend" the worth of this arena for international site visitors with different languages and different expertise of baseball - not simply an informal consider the architecture, yet obtaining "the tactical design behind the eco-friendly monster wall surface," understanding the enthusiasm of Red Sox fans, and realizing why they have such a solid attachment to this area.
Guides that have actually led scenic tours at Fenway Park understand that their job is different from that of galleries or archaeological sites - there are no silent exhibit halls, no repaired seeing order, and the tourists' questions are particularly "distributed." Simply depending on interest and memory is insufficient; they have to get rid of these three obstacles:
Among the international site visitors at Fenway Park, Japanese, Latin American, and European tourists have various demands: Japanese tourists mainly comprehend baseball and want to know "Did the Red Sox play against the Yomiuri Giants?" "Which is more difficult to hit, the eco-friendly monster wall surface or the outfield wall surface of Tokyo Dome?" Latin American tourists like baseball but don't talk English, and they can't also comprehend the terms like "pitcher's pile" and "home plate"; European tourists are often "checking out with their families," and they don't also know the regulations of baseball. When the overview told them "The Red Sox won the World Series in 1918," the tourists quickly asked "Was it versus Germany?" They made a joke. One more overview that led a Japanese team was asked "The eco-friendly monster wall surface is 37 feet and 2 inches high. The number of meters is that? Is this elevation difficult or simple in baseball?" The overview had not been ready and needed to search for the device conversion on the spot, but couldn't explain the partnership in between "elevation and methods," and the tourists were not interested throughout.
So for the overviews, multilingual service is not "transforming 'home run' right into an international language" - it has to do with integrating the tourists' social history and baseball understanding to discuss the terms "conveniently." For example, when clarifying "home run" to European tourists, one should say "It resembles the 'hat-trick' in football, the most effective racking up technique in baseball"; when clarifying the elevation of the "eco-friendly monster wall surface" to Japanese tourists, one should contrast it with "The outfield wall surface of Tokyo Dome is 1.2 meters greater, so striking a home run below needs especially solid gamer abilities" - only after that will the tourists comprehend and be willing to ask even more concerns.
The sound scenarios at Fenway Park are particularly special - it's not simply "crowded and loud": on non-game days, there are the "buzzing" noises of grass upkeep machines and the conversations of tourists; on video game days, it's a lot more overstated. The followers' cheers, the on-site discourse, and the vendors' require hotdogs all mix with each other, with decibels getting to over 80. Typical amplifiers simply don't function. The tour guide screams until his voice is hoarse, but the tourists still have to stand nearby to pay attention. If they are too far away, the content obtains shed.
Tour guides all expect a device that can "strain the sound" - without shouting, tourists can listen to plainly when talking normally. Whether it's the applauding throughout the video game or the sound from the upkeep device, it doesn't affect the description. After all, the tour guide's power should be focused on "informing the tale," not "that has a louder voice."
The seeing course at Fenway Park is particularly spread: from the "eco-friendly monster wall surface" in the outfield, to the pitcher's pile and home plate in the infield, to the players' locker area underground and the baseball gallery upstairs. Various locations are far apart, and the order has to be changed according to the circulation of individuals. When the tour guide leads the team, it's very easy for "the tourists ahead have actually listened to the description, but the ones behind haven't maintained," or "when visiting the gallery, the tourists forget the baseball history they were simply informed."
A European household traveler commented: "We visited the locker area with the tour guide and found out that the jacket was used in 1931. Later on, when we went to the gallery and saw the old jackets, we couldn't keep in mind if this jacket was the initial design. After visiting, we really felt that each location was interesting, but we didn't comprehend the connection between them and didn't know what occurred in Fenway Park over the past a century."
For tour guides, they need to find means to "attach the spread understanding factors" - for example, when seeing the old baseball bat in the gallery, they should connect it to "the owner of this bat hit a 'bye-bye home run' before the 'eco-friendly monster wall surface' in 1953"; when seeing the No. 34 jacket in the locker area, they should explain "this remains in memory of Ted Williams, who tossed 19 periods of baseball on the pitcher's pile." But depending only on talking is very easy to forget, and tourists can't remember it either. Devices are required to help "attach" them.
The tour guides at Fenway Park slowly discovered that great devices are not "an included worry," but can help them do their jobs thoroughly - no longer bothering with "tourists not comprehending," no longer shouting noisally, and being able to focus extra on "informing the baseball tale." Solutions like those made by Yingmi are particularly ideal for the scene at Fenway Park:
Yingmi's multilingual sharing system simply fixed the trouble of "tourists not comprehending" - it covers 5 languages: English, Spanish, Japanese, German, and French. Japanese tourists can listen to "the contrast between the 'eco-friendly monster wall surface' and the Tokyo Dome," Latin American tourists can comprehend "the tactical relevance of the pitcher's pile," and European tourists can comprehend "the World Series is not a football suit." If there is a demand for a little language like Portuguese or Korean, it can be tailored in 72 hours without the tour guide needing to search for a translator momentarily.
A lot more thoughtful is "promoting terms" - not tight translations, but clarifying them in a manner that suits tourists' cognition. For example, when clarifying "home run" to European tourists, the system would instantly say "comparable to the 'hat-trick' in football, it is one of the most spectacular racking up approach in baseball." When clarifying to Japanese tourists the "elevation of the eco-friendly monster wall surface", it is essential to include that "it is 1.2 meters greater than the outfield wall surface of Tokyo Dome. Striking a home run below amounts to striking a 500-foot home run in Tokyo Dome." Yingmi had actually previously suggested a similar prepare for the Tokyo Dome in Japan, and the regional tour guide claimed, "The questions asked by the tourists were much more extensive. They were no longer simply 'what is this?' but 'why was it created this way'"
Yingmi's electronic sound decrease innovation is extremely sensible for the tour guides at Fenway Park - it can specifically filter out follower joys, device audios, and mirrors. Also when the tour guide is talking typically, tourists, even if they are basing on the initial base checking out system on video game day, can plainly listen to "Ted Williams' batting abilities". In addition, the devices can "instantly change the volume": in a quiet gallery, the volume will certainly be reduced, not troubling others; when it obtains loud in the outfield, the volume will instantly increase, without the need for the tour guide to by hand change.
There is no need to worry about the signal - its cordless transmission innovation can cover the entire Fenway Park, from the eco-friendly monster wall in the outfield to the gamer flow underground, and the signal will certainly not be interrupted. Even if the team is spread throughout various checking out stands, such as when the front-row tourists are seeing the home plate and the rear-row tourists are seeing the eco-friendly monster wall surface, within a range of 200 meters, they can plainly listen to the descriptions. The tour guide at the New york city Yankees Arena used it prior to and claimed, "The signal disturbance price is less than 3%, which is much more reputable than the previous tools."
The tools style additionally fulfills the demands of the tour guides - it is a neck-mounted kind, not portable. When the tour guide leads the team, they can freely motion "the throwing movement", and tourists taking photos or slapping will certainly not be blocked. The weight is just 18 grams, and wearing it for half a day will certainly not cause pain in the ears, making it suitable for a 3-hour browse through period at Fenway Park.
Yingmi's zone-guided scenic tour plan exactly resolves the trouble of "dispersed courses and fragmented understanding factors" - various areas make use of different description techniques:
The outfield makes use of "automated noticing", when tourists approach the eco-friendly monster wall surface, the tools will instantly play "This wall surface was integrated in 1934. Originally made from timber, it was changed with concrete in 1947. The eco-friendly shade was to decrease sunlight representation and help gamers evaluate the ball's trajectory", without the need for the tour guide to duplicate it over and over;
The infield uses "cordless team description", the tour guide can supplement based upon the on-site scene, such as when basing on the pitcher's pile, "This is 2 inches greater than various other stadiums. It is the Red Sox's tactical advantage, enabling the pitcher to toss a lot more exact pitches";
The gallery uses "touch-screen description", tourists can click the tags of the exhibits to pay attention to "This old jacket from 1918 was used by the owner in 1953 and hit a 'Bye-bye Home Run'. The challenger was the Yankees, and 35,000 followers supported live". When seeing the 34th jacket, it will certainly be explained "Ted Williams used this jacket throughout 19 periods on the pitcher's pile. When he retired in 1966, followers cried out his name". This way, tourists can connect "the eco-friendly monster wall surface, the pitcher's pile, and the old jacket" right into a line, bearing in mind the century-old background of Fenway Park.
The tour guides at Fenway Park often claim that the appeal of this arena is not "old", yet "with tales" - it is the home runs blocked by the eco-friendly monster wall surface, the tale of Ted Williams, and the century-long bond between the followers and the team. Their task is to inform these tales to international tourists, to ensure that when they leave, they bring with them "the enthusiasm of the Red Sox" in their hearts, as opposed to simply the photos on their phones.
Solutions like Yingmi's actually help tour guides "far better convey the tales" - no longer sidetracked by language, sound, or paths, but able to concentrate on "exactly how to make it more vibrant". For international tourists, such tour guide solutions are "worth it"; for tour guides, such job is "meeting".
Ultimately, the tour guide operate at Fenway Park is not "revealing tourists around", but "guaranteeing that individuals from various nations can fall for baseball culture". And good tools are the "good assistants" that help them accomplish this objective.
FAQ:
How does the audio guide system handle group tours with mixed language backgrounds?
Each visitor can select their preferred language on the device, allowing multilingual groups to hear synchronized commentary in their own language.
Is the audio content pre-recorded or can guides provide live commentary?
The system supports both: pre-recorded explanations for key points and live guide commentary for interactive storytelling.
What measures are in place for device hygiene and maintenance?
Devices are sanitized between uses, and the neck-mounted design minimizes contact with the face. Regular maintenance checks ensure performance.
When the baseball duration in Boston's Fenway Park starts, Mark, the tour guide, begins to have a "rough time" - he leads a Japanese team to stand under the "eco-friendly monster wall surface", and following he finishes speaking in English, "This wall surface was integrated in 1934 and has blocked numerous home runs", a traveler elevates a cam and asks, "What does 'home run' suggest in Japanese? Why is this wall surface eco-friendly?"; When transitioning to the pitcher's pile, the kids in the Latino household team got his sleeve and asked in Spanish, "Will the Red Sox pitcher practice here?" Mark could only slowly convert using a smart phone translation app, which caused a hold-up of half an hour. On the day of the video game, it was also worse. The joys from the viewers muffled every little thing. He held up a loudspeaker and yelled, "The initial video game of the 1912 opening period, the Red Sox won 5-3." The viewers in the back row didn't also capture "5-3," and lastly, they could only take a picture around the century-old scoreboard and muttered, "It's still worth visiting Fenway Park."
As one of the earliest stadiums in Major League Baseball, Fenway Park obtains over 3 million site visitors each year, with nearly 40% being international site visitors. For the overviews below, the troubles of their job are never just remembering "1912 opening" or "17 home run record" - it's about exactly how to genuinely "comprehend" the worth of this arena for international site visitors with different languages and different expertise of baseball - not simply an informal consider the architecture, yet obtaining "the tactical design behind the eco-friendly monster wall surface," understanding the enthusiasm of Red Sox fans, and realizing why they have such a solid attachment to this area.
Guides that have actually led scenic tours at Fenway Park understand that their job is different from that of galleries or archaeological sites - there are no silent exhibit halls, no repaired seeing order, and the tourists' questions are particularly "distributed." Simply depending on interest and memory is insufficient; they have to get rid of these three obstacles:
Among the international site visitors at Fenway Park, Japanese, Latin American, and European tourists have various demands: Japanese tourists mainly comprehend baseball and want to know "Did the Red Sox play against the Yomiuri Giants?" "Which is more difficult to hit, the eco-friendly monster wall surface or the outfield wall surface of Tokyo Dome?" Latin American tourists like baseball but don't talk English, and they can't also comprehend the terms like "pitcher's pile" and "home plate"; European tourists are often "checking out with their families," and they don't also know the regulations of baseball. When the overview told them "The Red Sox won the World Series in 1918," the tourists quickly asked "Was it versus Germany?" They made a joke. One more overview that led a Japanese team was asked "The eco-friendly monster wall surface is 37 feet and 2 inches high. The number of meters is that? Is this elevation difficult or simple in baseball?" The overview had not been ready and needed to search for the device conversion on the spot, but couldn't explain the partnership in between "elevation and methods," and the tourists were not interested throughout.
So for the overviews, multilingual service is not "transforming 'home run' right into an international language" - it has to do with integrating the tourists' social history and baseball understanding to discuss the terms "conveniently." For example, when clarifying "home run" to European tourists, one should say "It resembles the 'hat-trick' in football, the most effective racking up technique in baseball"; when clarifying the elevation of the "eco-friendly monster wall surface" to Japanese tourists, one should contrast it with "The outfield wall surface of Tokyo Dome is 1.2 meters greater, so striking a home run below needs especially solid gamer abilities" - only after that will the tourists comprehend and be willing to ask even more concerns.
The sound scenarios at Fenway Park are particularly special - it's not simply "crowded and loud": on non-game days, there are the "buzzing" noises of grass upkeep machines and the conversations of tourists; on video game days, it's a lot more overstated. The followers' cheers, the on-site discourse, and the vendors' require hotdogs all mix with each other, with decibels getting to over 80. Typical amplifiers simply don't function. The tour guide screams until his voice is hoarse, but the tourists still have to stand nearby to pay attention. If they are too far away, the content obtains shed.
Tour guides all expect a device that can "strain the sound" - without shouting, tourists can listen to plainly when talking normally. Whether it's the applauding throughout the video game or the sound from the upkeep device, it doesn't affect the description. After all, the tour guide's power should be focused on "informing the tale," not "that has a louder voice."
The seeing course at Fenway Park is particularly spread: from the "eco-friendly monster wall surface" in the outfield, to the pitcher's pile and home plate in the infield, to the players' locker area underground and the baseball gallery upstairs. Various locations are far apart, and the order has to be changed according to the circulation of individuals. When the tour guide leads the team, it's very easy for "the tourists ahead have actually listened to the description, but the ones behind haven't maintained," or "when visiting the gallery, the tourists forget the baseball history they were simply informed."
A European household traveler commented: "We visited the locker area with the tour guide and found out that the jacket was used in 1931. Later on, when we went to the gallery and saw the old jackets, we couldn't keep in mind if this jacket was the initial design. After visiting, we really felt that each location was interesting, but we didn't comprehend the connection between them and didn't know what occurred in Fenway Park over the past a century."
For tour guides, they need to find means to "attach the spread understanding factors" - for example, when seeing the old baseball bat in the gallery, they should connect it to "the owner of this bat hit a 'bye-bye home run' before the 'eco-friendly monster wall surface' in 1953"; when seeing the No. 34 jacket in the locker area, they should explain "this remains in memory of Ted Williams, who tossed 19 periods of baseball on the pitcher's pile." But depending only on talking is very easy to forget, and tourists can't remember it either. Devices are required to help "attach" them.
The tour guides at Fenway Park slowly discovered that great devices are not "an included worry," but can help them do their jobs thoroughly - no longer bothering with "tourists not comprehending," no longer shouting noisally, and being able to focus extra on "informing the baseball tale." Solutions like those made by Yingmi are particularly ideal for the scene at Fenway Park:
Yingmi's multilingual sharing system simply fixed the trouble of "tourists not comprehending" - it covers 5 languages: English, Spanish, Japanese, German, and French. Japanese tourists can listen to "the contrast between the 'eco-friendly monster wall surface' and the Tokyo Dome," Latin American tourists can comprehend "the tactical relevance of the pitcher's pile," and European tourists can comprehend "the World Series is not a football suit." If there is a demand for a little language like Portuguese or Korean, it can be tailored in 72 hours without the tour guide needing to search for a translator momentarily.
A lot more thoughtful is "promoting terms" - not tight translations, but clarifying them in a manner that suits tourists' cognition. For example, when clarifying "home run" to European tourists, the system would instantly say "comparable to the 'hat-trick' in football, it is one of the most spectacular racking up approach in baseball." When clarifying to Japanese tourists the "elevation of the eco-friendly monster wall surface", it is essential to include that "it is 1.2 meters greater than the outfield wall surface of Tokyo Dome. Striking a home run below amounts to striking a 500-foot home run in Tokyo Dome." Yingmi had actually previously suggested a similar prepare for the Tokyo Dome in Japan, and the regional tour guide claimed, "The questions asked by the tourists were much more extensive. They were no longer simply 'what is this?' but 'why was it created this way'"
Yingmi's electronic sound decrease innovation is extremely sensible for the tour guides at Fenway Park - it can specifically filter out follower joys, device audios, and mirrors. Also when the tour guide is talking typically, tourists, even if they are basing on the initial base checking out system on video game day, can plainly listen to "Ted Williams' batting abilities". In addition, the devices can "instantly change the volume": in a quiet gallery, the volume will certainly be reduced, not troubling others; when it obtains loud in the outfield, the volume will instantly increase, without the need for the tour guide to by hand change.
There is no need to worry about the signal - its cordless transmission innovation can cover the entire Fenway Park, from the eco-friendly monster wall in the outfield to the gamer flow underground, and the signal will certainly not be interrupted. Even if the team is spread throughout various checking out stands, such as when the front-row tourists are seeing the home plate and the rear-row tourists are seeing the eco-friendly monster wall surface, within a range of 200 meters, they can plainly listen to the descriptions. The tour guide at the New york city Yankees Arena used it prior to and claimed, "The signal disturbance price is less than 3%, which is much more reputable than the previous tools."
The tools style additionally fulfills the demands of the tour guides - it is a neck-mounted kind, not portable. When the tour guide leads the team, they can freely motion "the throwing movement", and tourists taking photos or slapping will certainly not be blocked. The weight is just 18 grams, and wearing it for half a day will certainly not cause pain in the ears, making it suitable for a 3-hour browse through period at Fenway Park.
Yingmi's zone-guided scenic tour plan exactly resolves the trouble of "dispersed courses and fragmented understanding factors" - various areas make use of different description techniques:
The outfield makes use of "automated noticing", when tourists approach the eco-friendly monster wall surface, the tools will instantly play "This wall surface was integrated in 1934. Originally made from timber, it was changed with concrete in 1947. The eco-friendly shade was to decrease sunlight representation and help gamers evaluate the ball's trajectory", without the need for the tour guide to duplicate it over and over;
The infield uses "cordless team description", the tour guide can supplement based upon the on-site scene, such as when basing on the pitcher's pile, "This is 2 inches greater than various other stadiums. It is the Red Sox's tactical advantage, enabling the pitcher to toss a lot more exact pitches";
The gallery uses "touch-screen description", tourists can click the tags of the exhibits to pay attention to "This old jacket from 1918 was used by the owner in 1953 and hit a 'Bye-bye Home Run'. The challenger was the Yankees, and 35,000 followers supported live". When seeing the 34th jacket, it will certainly be explained "Ted Williams used this jacket throughout 19 periods on the pitcher's pile. When he retired in 1966, followers cried out his name". This way, tourists can connect "the eco-friendly monster wall surface, the pitcher's pile, and the old jacket" right into a line, bearing in mind the century-old background of Fenway Park.
The tour guides at Fenway Park often claim that the appeal of this arena is not "old", yet "with tales" - it is the home runs blocked by the eco-friendly monster wall surface, the tale of Ted Williams, and the century-long bond between the followers and the team. Their task is to inform these tales to international tourists, to ensure that when they leave, they bring with them "the enthusiasm of the Red Sox" in their hearts, as opposed to simply the photos on their phones.
Solutions like Yingmi's actually help tour guides "far better convey the tales" - no longer sidetracked by language, sound, or paths, but able to concentrate on "exactly how to make it more vibrant". For international tourists, such tour guide solutions are "worth it"; for tour guides, such job is "meeting".
Ultimately, the tour guide operate at Fenway Park is not "revealing tourists around", but "guaranteeing that individuals from various nations can fall for baseball culture". And good tools are the "good assistants" that help them accomplish this objective.
FAQ:
How does the audio guide system handle group tours with mixed language backgrounds?
Each visitor can select their preferred language on the device, allowing multilingual groups to hear synchronized commentary in their own language.
Is the audio content pre-recorded or can guides provide live commentary?
The system supports both: pre-recorded explanations for key points and live guide commentary for interactive storytelling.
What measures are in place for device hygiene and maintenance?
Devices are sanitized between uses, and the neck-mounted design minimizes contact with the face. Regular maintenance checks ensure performance.
