As the Thames River simply emerged from a thin layer of early morning haze, the red-tiled tower of the Tower of London stood there, emitting centuries of toughness – the arrow marks on the battlements still brought the fragrance of medieval war, and the stone walls of the White Tower were lined with stories of the Tudor empire, while the glass closets of the Crown Jewels showcased each diamond, shining with the light of the royal shift. Annually, over 3 million foreign visitors come below to explore history, but they often get stuck: wanting to hear which queen wore the crown, the mobile excursion only identifies English and French; when approaching to take a look at the armor belonging to whom, the voices of the people around directly hushed the description; in the remote corners with poor signal, just as the story of the traitor was half-told, it all of a sudden cut off, leaving one to gaze blankly.
But with Yingmi’s audio excursion, these dissatisfactions turn into “paying attention to the story up close”. It doesn’t consider itself a “thing that simply makes sounds”, but complies with the historical thread of the Tower of London, utilizing multilingual, noise-reducing, and contextually relevant material, permitting visitors from any type of country to clearly hear each royal story – from the fabulous diamonds on the crown to the image of the queen hidden in the armor, and to the crucial atmosphere of the traitor’s door, all can clearly arise in the ear.
Crown Jewels Exhibition: Checking out the royal stories behind the diamonds
As quickly as you get in the Crown Jewels Exhibition, the Cullinan II diamond on the Imperial Crown makes individuals woozy. Japanese visitors point at the crown and ask, “Which queen used this when she was crowned?” Middle Eastern visitors are curious, “Are there similar principles for gemstones in Islamic culture?” European visitors need to know, “Is digging diamonds associated with the royal power?” – But most general excursions only identify English and French, and the rest can only guess with mobile translation software application, missing out on many details.
Yingmi’s audio excursion just fills this space. Its multilingual platform has actually been designed from the start for foreign visitors, with 8 typically utilized languages including English, French, German, Japanese, Arabic, and Spanish. No added translation is required by the tour guide. What’s even more, the descriptions are not dry word-for-word recitations, but adhere to the visitors’ social routines: when speaking to Japanese visitors, “The coronation crown of Queen Elizabeth II” is described by directing and stating, “It’s somewhat like the crown of the Japanese Emperor, but this one in the UK is more focused on the overseas areas stood for by the gemstones”; when talking with Middle Eastern visitors, “The diamond on the scepter” is supplemented with, “In Islamic culture, diamonds stand for eternity, which aligns completely with the British royal aspiration of ‘continuously holding power’.”
More notably, in the congested precious jewelry exhibit hall, where voices and camera shutters mix with each other, the sound of typical excursions has actually long diminished. Yingmi’s electronic noise reduction innovation can remove many of these noises – without having to stand right in front of the display case, also standing outside the crowd, the description can clearly reach your ears, including “A blue gemstone on the crown was fixed in 1852” – such small details won’t be missed.
White Tower: Numerous channels for several groups of visitors to listen to their own stories, clearly hearing the queen’s story in the armor.
The White Tower is the core of the Tower of London. On the initial floor, medieval royal armor is presented, and on the second floor, the weapons of Henry VIII are hidden. Below, there are often a number of groups of foreign visitors at the same time – the German team wants to hear “How did the armor used for warfare secure versus enemies?” The French team needs to know “Is the dimension of the armor related to the weight of the queen?” If making use of the old-style excursion, it’s extremely easy to have the joke of “You talk your own, I listen my own, and as a result, both people are listening to each various other out of sync.”
Yingmi’s multi-channel zone-based description is especially suitable for this situation. It can give each team of visitors a separate “audio channel”, using radio frequency innovation to automatically acknowledge where the team is – when the German team reaches the “15th Century Armor Area”, the description automatically changes to “How does the armor protect versus enemy attacks”; The French team stopped in front of “Henry VIII’s Armor”, and the content focused on “The waistband of the armor has actually increased from 32 inches to 48 inches, suggesting that Henry VIII ended up being overweight in his later years”. Both teams were close to each other but did not interrupt each other.
The guide additionally saved himself the problem of screaming “Every person gather around to listen”, and the controller in his hand could add a couple of words at any moment.
Bloody Tower: Offline Excursion Unveils Secret Stories of the Royal Family Members in Narrow Spaces.
Climbing the spiral staircase to the Bloody Tower, the room all of a sudden became narrower – below, the Edward V bros were as soon as locked up, and there are still marks left on the wall made by prisoners. Foreign visitors approached the counter to need to know “Why were both bros locked up?”, but the signal inside the tower was extremely poor, and the normal excursion often got stuck at “loading while rotating”, and could only guess at the textual descriptions.
The exhibitions in the tower were crowded, and some cupboards were only a meter apart. The normal excursion was prone to “perplexing the place” – when reaching the A display, the B display’s description was played. Yingmi’s noticing technology can exactly identify the placement with an error of no more than one meter. When reaching the “picture of both bros”, only their story would certainly be played, and it would certainly not wander to the “guard log” description beyond.
The devices layout was additionally thoughtful. It was ear-mounted, which was extremely light to hold in hand, and did not drink while climbing up the stairs. It was not in-ear kind either, which was hygienic. Foreign visitors did not have to worry about “whether the shared devices was tidy.”
The Gate of Traitor: Connect Scene Descriptions to Make the Deep Background Touchable.
From the White Tower to eviction of Traitor, the atmosphere all of a sudden became tense – this door was once the “last action” for prisoners to enter the Tower of London, and Anne Boleyn, Catherine Howard, and various other participants of the royal family members all travelled through below and were eventually performed. Foreign visitors stood in front of the door, looking at the mottled door panel, wondering “What was it like back then?”, but the normal excursion simply said “This is the door for traitors to enter”, and several details were not mentioned.
Yingmi’s audio excursion would certainly readjust the pace according to the historical atmosphere below, reducing the speech and making use of a solemn tone: “On May 1536, Anne Boleyn was persuaded to commit adultery and treason, entering the Tower of London with this door. She was putting on a black velour dress and holding a prayer book. People outside screamed, some stayed silent – she was once the cherished queen of Henry VIII, but in the end, she ended up being a target of power struggle.”
The description would certainly additionally mention some “touchable” details: “The marks on the lintel were not used by time, but made by prisoners with their fingernails or little knives. Some were abbreviations of names, some were crosses. They intended to leave a mark of their presence in despair; the door was originally made from wood, and after more prisoners travelled through, the wood rotted, so it was changed with the present iron door.”
A South American tourist claimed after paying attention: “I understood from the materials that Anne Boleyn was performed previously, and currently standing below, paying attention to these details, it appears as if I can imagine her mood back then, it’s truly more touching than enjoying a documentary.”
The Reliable Matters Behind the Scenes: Making International Consumers Feel Confident in Certification and After-sales.
Foreign visitors and companions select the excursion not just for “great use”, but additionally pay unique attention to “reliability” – after all, it needs to be utilized in Europe. Certification must be full, and after-sales must not stop working. Yingmi had actually been in the foreign trade service since 2009, passed the EU CE and RoHS certifications, the devices voltage sustains 100-240V for worldwide use, and could be utilized in the Tower of London without requiring to buy a converter independently.
Each tool must be tested a minimum of 5 times before leaving the factory. From the initial one to currently, there have actually been no safety and security events, and it has actually been insured by a popular insurance provider. Foreign customers do not have to bother with the danger of “devices breakdown.”
Conclusion: Not just the excursion, but additionally the “great ears” for paying attention to the history of the royal family members.
The appeal of the Tower of London is not simply “This building is rather”, but rather the “warm little details” concealed within it – the streaming diamonds on the crown, the queen’s darkness in the armor, the makings of prisoners on the door panels. Yingmi’s audio excursion doesn’t consider itself a “tool for comprehending history”, but rather assists foreign visitors locate “a great ear to hear these details”: by breaking down language obstacles with several languages, removing environmental noise with noise reduction, solving signal issues with offline setting, and ensuring that every royal story can be clearly and completely conveyed to the visitors’ minds.
As the setup sunlight casts a gold radiance on the tower of the Tower of London, visitors remove their audio excursion gadgets, and what they keep in mind is not simply “This is the Crown Jewels Gallery, which is the Bloody Tower”, but additionally “Which coronation ceremony did a specific diamond witness, and what misery exists behind that carving” – this is real value of the Tower of London, and this is what Yingmi wants to do: to make history not simply “seen”, but “recognized” and “loved”, ending up being a brilliant memory in their hearts.
FAQ
Q1: Is the audio guide suitable for large groups?
A1: Yes, it supports multi-channel audio for different groups without interference.
Q2: How does the audio guide handle multiple languages?
A2: It offers 8 language options and adjusts content based on cultural context.
Q3: Can I use my own headphones with the audio guide?
A3: Yes, the device is compatible with standard headphones via Bluetooth or audio jack.
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